Poetry
Here's to the Snake!
Translated by Mary Ann Caws
I
I sing of heat with the face of a newborn, desperate heat.
II
It’s bread’s turn to break man, to be the beauty of daybreak.
III
The one who relies on the sunflower won’t meditate in the house. All the thoughts of love will be his thoughts.
IV
In the swoop of the swallow, a storm builds, a garden forms.
V
There’ll always be a drop of water lasting longer than the sun without the sun’s ascent being shaken.
VI
Produce what knowledge wants to keep secret, knowledge with a hundred passages.
VII
What comes into being without troubling anything deserves neither attention nor patience.
VIII
How long will there be this man dying in the center of creation, missing, because creation has sent him off?
IX
Every house was a season. So the town repeated itself. All the inhabitants together knew nothing but winter, despite their bodies warmed over, despite the day that did not leave.
X
You are in your essence constantly a poet, constantly at the height of your love, constantly avid of truth and justice. It’s doubtless a necessary evil that you can’t be such assiduously in your consciousness.
XI
You’ll make of the nonexistent soul a person who’s its better.
XII
Look at the foolhardy image your country bathes in, this pleasure which has escaped you for ages.
XIII
Numerous are they who wait for the shoal to lift them up, for the goal to certify them, in order to define themselves.
XIV
Be grateful to the person who doesn’t care about your remorse. You are his equal.
XV
Tears despise the one they confide in.
XVI
There remains a calculable depth where sand subjugates fate.
XVII
My beloved, it matters little that I’ve been born: you’ll become visible just at the place where I disappear.
XVIII
To be able to walk, without deceiving the bird, from the tree’s heart to the fruit’s ecstasy.
XIX
What welcomes you through pleasure is only the mercenary gratitude of memory. The presence you’ve chosen delivers no farewell.
XX
Don’t bend over except to love. If you die, you still love.
XXI
The shadows you steep yourself in are ruled by the lewdness of your solar ascendancy.
XXII
Don’t pay any attention to those in whose eyes people are just a stage of color on the tormented back of the earth. Let them reel off their long remonstrance. The poker’s ink and the cloud’s crimson are of a piece.
XXIII
It’s unworthy of the poet to mystify the lamb, to take on his wool.
XXIV
If we inhabit a lightning flash, it’s the heart of eternity.
XXV
Eyes who, having invented daytime, have awakened the wind, what can I do for you? I am forgetfulness.
XXVI
Poetry is of all the clear waters the one which lingers least in the reflection of its bridges.
Poetry, future life in the interior of man requalified.
XXVII
A rose for it to rain. After innumerable years, this is your wish.
MAC
RECOMMENDED ARTICLES

Hong Sang-Soo’s In Front of Your Face
By Minh TranJUL-AUG 2022 | Film
In Front of Your Face offers insights about appreciating life in the presence of death that are new and more optimistic assertions for a filmmaker who represents typically male characters at their most desperate.

Ilya Fedotov-Fedorov: Snake Changing Skin
By Ksenia SobolevaMAY 2023 | ArtSeen
Ilya Fedotov-Fedorovs current solo exhibition in New York, now on view at Fragment Gallerys newly relocated space, speaks to the artists continued fascination with ambiguous forms of life, while also marking a move away from the conceptual strategies he is best known for.
Kathy Ruttenberg: Twilight in the Garden of Hope
By Alex A. JonesSEPT 2023 | ArtSeen
The courtyard of Chinatown gallery Lyles & King is a brick-and-concrete panopticon of apartment windows looming five stories high. AC units pump stifling exhaust into the air, combatting a July in which global heat records were set. But the machines buzzing is broken by a babble of cool water, which streams from a spout-like branch in the face of an anthropomorphic tree. It is the centerpiece of Kathy Ruttenbergs fountain installation, which turns this glorified air shaft into a paradise garden.
Barkley L. Hendricks: Portraits at the Frick
By Zoë HopkinsNOV 2023 | ArtSeen
Barkley L. Hendrickss paintings shine with a kind of affect that one is inclined to call beautiful. And, indeed, they are. Yet they are loaded with something too tense, too bristling with heat to fit neatly into such a definition: something else is here, too.