Nicholas Rys
Nicholas Rys is a contributor to the Brooklyn Rail.
In Conversation
They Cant Kill Us Until they Kill Us: HANIF ABDURRAQIB with Nicholas Rys
I was introduced to the work of Hanif Abdurraqib through his brilliant essay, “In Defense of ‘Trap Queen’ As Our Generation’s Greatest Love Song” in 2015. In it, I instantly heard something (yes heard, for Abdurraqib’s language is so vibrant and alive that one can’t help but hear its musicality when you read it) fresh, unencumbered, yet familiar.
In Conversation
The Jazz of Life: BUD SMITH with Nicholas Rys
If you are reading literature online in 2018, you’re reading Bud Smith. And you should be. His work has been published by Hobart, Wigleaf, Smokelong Quarterly, and tons of other places. Aimee Bender selected his story, “Wolves,” for the Best Small Fictions anthology. His work in general, and especially in his new story collection Double Bird, published by Maudlin House, is tender and funny, deadpan but deeply serious.
Jeff Jackson's Destroy All Monsters: The Last Rock Novel
By Nicholas RysJeff Jackson’s newest novel Destroy All Monsters: The Last Rock Novel, out on FSG Originals, is unlike any other book published this year. It’s wry and dark, timeless but also entirely of our time, though void of any direct references to our Internet 2.0 media-saturated age.
In Conversation
LEE MARTIN with Nicholas Rys
Lee Martin’s new story collection explores the lives, desires, and quiet moments of people who live quiet, modest lives. His characters dream and want and desire, not for grand things, but for small, intimate things. They are people who often don’t occupy the space between the covers of book.
In Conversation
JEFF JACKSON with Nicholas Rys
With attention carefully drawn to both style and substance, Jeff Jackson’s newest novel, Destroy All Monsters is an artifact in and of itself: the text split into a Side A and Side B like an old vinyl single; the text shaded different colors, different type-faces, prologues and false starts and chapters not falling in line as we’d traditionally expect from a novel.